Best Album 2023: Part 2 “Record of the Year” : SPACE HEAVY – King Krule

British musician King Krule, also known as Archy Marshall, solidified his position as a genre-defying artist with his latest album, “Space Heavy.” Standing out as a standout release of the year, Krule once again demonstrated his ability to deliver dynamic and experimental music that transcends categorization.

“Space Heavy” took a more muted and introspective approach compared to Krule’s previous works, reflecting the uncertain times of the pandemic. The album leaned toward rock and blues, deviating from the electronic and hip-hop elements found in his earlier discography. The opening track, “Flimsier,” set the tone with an atmospheric space rock guitar and mournful lyrics, capturing a melancholic blues sensibility.

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Notably, the album featured recurring melodic themes, with certain tracks pairing up and reflecting the concept of days merging into one. Krule’s shapeshifting songs and blurred ambiance created a stream-of-consciousness experience, while the subtle repetition of melodic lines added a layer of complexity that unfolded with each listen.

Clocking in at 45 minutes with 15 tracks, “Space Heavy” avoided repetitiveness, showcasing Krule’s ability to wander musically and explore diverse ideas. The album maintained a sense of emotional preoccupation while preserving Krule’s inventive style. Tracks like “Pink Shell” and “Hamburgerphobia” broke out with angular bass lines and unconventional tunings, offering a diverse sonic palette.

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CHICAGO, IL – JULY 15: Singer Archy Marshall of King Krule performs during the 2012 Pitchfork Music Festival in Union Park on July 15, 2012 in Chicago, Illinois. (Photo by Barry Brecheisen/WireImage)

Towards the end of the album, tracks like “When Vanishing” and “If Only It Was Warmth” took on a mellower, jazzier tone, conveying a poignant sense of forlorn emotion. The recurring theme of space, inspired by Krule’s commuting between Liverpool and London, added a paradoxical layer to the album, suggesting both emptiness and emotional weight.

In “Space Heavy,” Krule didn’t provide straightforward solutions to the complexities of time and space; instead, he acknowledged the limited nature of these concepts and explored their subjective interpretations. The closing track, “Wednesday Overcast,” with its metronomic beat resembling a train’s rhythm, left room for both contemplation and the possibility of brightness in the face of change. With its weighty emotional undertow and dense sonic layers, “Space Heavy” stood as a testament to King Krule’s ability to create music that is both thought-provoking and emotionally resonant.

( If you want to know the rest of my playlist of 2023, just press here )

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Massimo Usai https://urbanmoodmagazine.com

After more than 25 years spent between London, Warsaw, and Brussels—three cities that taught me everything except how to resist a good coffee—I’ve had the pleasure of collaborating with international outlets such as The New York Times, Time Out London, and Vancouver News.
Today, I’m the Director of Urban Mood Magazine and the Editor behind Longevitimes.com, where I explore stories at the intersection of culture, photography, and longevity.
I love blending images and words to turn every piece into a small journey—authentic, original, and occasionally a little mischievous.
In recent years, I’ve been diving deep into the world of Sardinia’s Blue Zone, developing expertise in longevity, traditions, and the science behind living better (and longer).
And yes—I’m also an Arsenal supporter. Nobody’s perfect. / To contact me massimousai@mac.com

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