By Patrizia Riello Pera, Padua, Italy.

 In 1983, the Campiello Prize was awarded to Carlo Sgorlon for his novel “La conchiglia di Anataj”, one of the most representative and fascinating works of Italian fiction of the 1980s. Through this recognition, the jury honoured an author capable of building a unique literary universe, deeply rooted in Friulian culture yet open to a universal and timeless dimension. In “La conchiglia di Anataj”, historical reality is constantly interwoven with myth, legend, and collective memory. Sgorlon does not merely recount events or individual stories, but creates a vast human landscape in which ancient traditions, popular beliefs, and personal destinies merge into a narrative rich in suggestion and symbolic meaning. The novel unfolds as a profound reflection on the relationship between human beings and their roots, between the present and a past that continues to live on through stories, customs, and memories handed down over time. One of the most original aspects of the work is the centrality of nature, which is not presented as a mere scenic backdrop but as a living, almost sacred presence, capable of influencing the fate of the characters. Woods, mountains, rivers, and plains take on symbolic value and become essential elements of a worldview in which human beings appear intimately bound to the rhythms and mysteries of the earth. Sgorlon’s writing is distinguished by its poetic tone, narrative elegance, and extraordinary evocative power. Images follow one another with intensity and delicacy, creating atmospheres suspended between reality and imagination. The reader is guided into a story that privileges the inner and spiritual dimension of human experience, offering continual opportunities for reflection on the meaning of existence, destiny, and the value of memory. With “La conchiglia di Anataj”, Carlo Sgorlon confirms his role as an original interpreter of Europe’s borderland culture and as a narrator capable of giving voice to worlds often overlooked by contemporary literature. The 1983 Campiello Prize thus recognises a work that combines cultural depth, imaginative force, and stylistic quality, definitively consecrating its author as one of the most significant figures in Italian fiction of the second half of the twentieth century.

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